Miriodor - 2025 - Live 97

(53:03; Cuneiform)






















Here we have a live recording taken from the tour to promote ‘Elastic Juggling’, which was the last album to feature Sabin Hudon (saxes, accordion) and the first to include Bernard Falaise (guitar) who along with Rémi Leclerc (drums) and Pascal Globensky (keyboards) is still there to this day. The trio were unable to play all the instruments required in a live environment so here they have been joined by Stéphanie Simard (violin) and Nicolas Masino (bass, keyboards). Given that the most recent album had been a concept about a rather strange and demented circus (albeit instrumental) it is perhaps unsurprising that all the material comes from that, with the set recorded directly to 2-track in Quebec City on January 17th, 1997.

What we have here are five musicians who clearly demonstrate just how much understanding and control they have over a seemingly chaotic world where everyone can be using music as a weapon in the way it is directed at each other, yet there are times when they can all be closely linked and working in the same direction, always coming together in the end. This is a version of RIO which can be even more challenging than normal and somehow very French, taking influences from the likes of Art Zoyd and Univers Zero and then combining it with King Crimson and Van Der Graaf Generator. There are times when the guitar feels almost like a wild animal with plenty of feedback and distortion but then it can suddenly move into a direction which I think of as pronk, picked and very effective. We keep getting circus melodies coming to us from the keyboards, but this is not the sort of world where children will be happily laughing at the clowns but instead will be running away in horror, as if Pennywise is after them.

There are passages of sheer beauty which are in total contrast to the chaos, each making the other feel even more so. While this album will not be for everyone, anyone who likes this style of music will find this an incredible piece of work where every musician knew the destination, even if there are times when they are taking quite different paths. 

Kev Rowland, October 2025

Links:
http://miriodor.com/
http://www.cuneiformrecords.com/

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